
Kashmiri artist Azim Hassan, now based in Foshan, China, uses his paintings to explore themes of home, memory, loss, identity, and the emotional impact of conflict in Kashmir. Living away from his homeland has deepened his perspective, allowing him to depict Kashmir’s changing landscapes, disappearing architectural traditions, and fading cultural memories with a sense of nostalgia.
His paintings often feature solitary figures, vast landscapes, and recurring blue tones, symbolizing spirituality, melancholy, silence, and reflection. Hassan draws inspiration from Kashmir’s natural beauty as well as its troubled history, portraying the tension between beauty and hardship. Works such as The Dubb and the Nab preserve vanishing cultural elements like traditional wooden balconies, while Boy by the Windowside and Beyond the Broken reflect the violence and curfews that marked Kashmir in 2016.
After studying at Jamia Millia Islamia and later receiving a scholarship to the China Academy of Art, Hassan built an international career, exhibiting in several countries while teaching International Baccalaureate (IB) art in China. His stable career has also enabled him to support educational initiatives in Kashmir.
Despite building a life in China, including marrying a Chinese woman, Hassan remains deeply connected to Kashmir. His art serves as a visual archive of a homeland undergoing rapid change, preserving its landscapes, traditions, and collective memories while expressing the enduring emotional legacy of conflict and displacement.
https://www.thehindu.com/society/azim-hassan-kashmiri-artist-paints-memory-loss-home-china/article71182012.ece